Similar Posts
Balancing Act in Lightroom
The right white balance can make or break an underwater photo. Some shots need just a single click with the White Balance eyedropper in Lightroom or Adobe Camera Raw to restore color and knock out unwanted ambient light. Others, in which the white balance isn’t the same across the entire image, require more specific editing….
Wreck Tech in Post – 3 tips for editing wreck photos
I love working with wreck photos. They’re rich with all kinds of form, texture and gritty, scratchy detail. They’re dramatic and moody, and hold up surprisingly well in less-than-perfect conditions. Here are 3 tips to help make wreck images pop in post. Do Black and White right. Wreck photos shot with ambient light…
One Catalog to Rule Them All
Using a single catalog makes the most of Lightroom’s superpowers A Lightroom catalog is much like an old-school card catalog in a brick-and-mortar library. It contains all kinds of information (metadata) about your images — their physical location on a drive, keywords, ratings and even Develop Module changes, but it does not contain the actual…
Texture vs. Clarity vs. Dehaze
Finding the Perfect Punch for Your Pictures I simultaneously love and fear the addition of any significant new feature in Lightroom or Photoshop. Love, because it potentially enriches my editing bag of tricks. Fear, because for a time after its initial introduction it’s used to excess by pros and enthusiastic amateurs alike, resulting in a…
Lightroom | Nerd Alert! | News | Tutorials
Nerd Alert! Lightroom 12.3 Packs A Whammy With AI Powered Noise Reduction, And Tone Curve Adjustments In The Masking Panel!
Some exciting news from Adobe! Lightroom version 12.3 drops some new features underwater photographers are going to love!
The first new feature is something many underwater photographers have been asking for. You can now remove noise from your high ISO underwater images using Artificial Intelligence!
Dial-a-Blue – Adjusting the Color of Water using Adobe Lightroom
I attribute the phrase “dial-a-blue” to Berkley White, shooter extraordinaire and owner of Backscatter Photo and Video. I first heard Berk use the phrase to describe a specific shooting technique, but I’ve since discovered many cool ways to also dial-a-blue during the editing process. In this tutorial, I make use of the massively powerful Hue…