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Content Awareness – Removing Unwanted Objects From Your Images
Content Aware Fill is a quasi-magical Photoshop process that removes bubbles, backscatter and bozos from your pictures. When it works as intended, Content Aware Fill is a beginner-level technique that renders stunning results in the blink of an eye. When it’s not quite on the money, a slightly more advanced knowledge of Photoshop’s other super…
Texture vs. Clarity vs. Dehaze
Finding the Perfect Punch for Your Pictures I simultaneously love and fear the addition of any significant new feature in Lightroom or Photoshop. Love, because it potentially enriches my editing bag of tricks. Fear, because for a time after its initial introduction it’s used to excess by pros and enthusiastic amateurs alike, resulting in a…
Fixed Focus – How to Sharpen Out-of-Focus Eyes Using Photoshop
Of all the miracles Photoshop can perform, fixing soft focus isn’t one of them. There’s simply no existing post-production voodoo that can restore acceptable photographic sharpness to large out-of-focus areas. That said, if a small detail of your image – an eye, for example – is only slightly soft, an artful combination of Liquify, Smart…
Where the #$&! Are My Images?
Digital Asset Management 101 for Lightroom The single most common question I’m asked about Lightroom is “Where the #$&! are my images?”. Understanding how Lightroom manages and displays information can help you stay organized and out of DAM (Digital Asset Management) trouble. The Lightroom Catalog The Lightroom Catalog is an immensely powerful database that…
Wreck Tech in Post – 3 tips for editing wreck photos
I love working with wreck photos. They’re rich with all kinds of form, texture and gritty, scratchy detail. They’re dramatic and moody, and hold up surprisingly well in less-than-perfect conditions. Here are 3 tips to help make wreck images pop in post. Do Black and White right. Wreck photos shot with ambient light…
Dial-a-Blue – Adjusting the Color of Water using Adobe Lightroom
I attribute the phrase “dial-a-blue” to Berkley White, shooter extraordinaire and owner of Backscatter Photo and Video. I first heard Berk use the phrase to describe a specific shooting technique, but I’ve since discovered many cool ways to also dial-a-blue during the editing process. In this tutorial, I make use of the massively powerful Hue…